Langobardia maior et minor:研究中世纪高原雕塑和坎帕尼酋长之间的联系

U. Schulte-Umberg
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摘要

大副郎巴迪亚语:印度语,法语,法语,法语,法语,法语,法语,法语,法语,法语,法语,法语,法语。在意大利南部城市卡普阿(Capua)——10世纪和11世纪伦巴第公国贝内文托(Benevento)和小朗哥巴迪亚(Langobardia)的首都统治者的住所——一组早期中世纪的首都被保存下来,它们可以分为三种密切相关的类型。在与科林斯首都绑定的I型基础上,将对与意大利北部古老的伦巴第王国的建筑雕塑的关系进行检查,该王国早在774年就被查理曼并入法兰克帝国。为此目的,可以使用某些技术和风格特征,特别是关于棘叶的重叠尖端。论文认为,在卡普尼亚首都的特殊形式中,可以追溯到坎帕尼亚早期中世纪艺术的其他背景,可能起源于北方。
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Langobardia maior et minor: indagini sul legame tra la scultura altomedievale e i capitelli campani
Langobardia maior et minor: indagini sul legame tra la scultura altomedievale e i capitelli campani. Within the southern Italian city of Capua – in the 10th and 11th century ruler's residence of the Lombard principality of Benevento and capital of Langobardia minor – a group of early medieval capitals has survived, which can be divided into three closely related types. On the basis of type I, which is bound to the corinthian capital, an examination will be made regarding to what extent relationships can be verified with the architectural sculpture of the older Lombard kingdom in northern Italy, which was incorporated into the Frankish Empire by Charlemagne as early as 774. For this purpose, certain technical and stylistic characteristics can be used, which concern in particular the overlapping tips of the acanthus leaves. The thesis is that in the very specific forms of Capuan capitals a line of tradition can be traced that is also found in other contexts of early medieval art in Campania, possibly with origins in the north.
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