视觉语言:设计、目的、可用性

N. Amare, A. Manning
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引用次数: 11

摘要

信息经济,实际上任何经济,都需要一些共同的交换媒介。因此,我们在视觉语言的词汇中寻求清晰和共性。当然,也有人提出视觉词汇表,但我们可以证明,到目前为止,它们具有人为性,有效地阻止了广泛采用。因此,我们提出的是一种综合的视觉语言,它来源于视觉修辞学文献中已经存在的术语和概念,但具有一种新颖的、统一的组织,我们将证明,这种组织在单词的精确意义上是有机语法的。我们的目标不是让其他以自己的方式解释视觉效果的语言学者噤声,而是提供一个安全的空间,在这里,抛开理论、意识形态和自我,我们可以集体命名我们在视觉信息中共同体验到的东西,然后作为技术传播者,阅读和创造视觉效果,更全面地理解视觉效果如何与文本解释相关并与文本解释分离。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A language for visuals: Design, purpose, usability
Information economy, indeed any economy, requires some common medium of exchange. We therefore seek clarity and commonality in the vocabulary of visual language. Visual vocabularies have of course been proposed by others, but we can demonstrate that, so far, they possess an artificiality effectively preventing widespread adoption. Therefore, what we propose is a comprehensive language for visuals that is derived from terms and concepts already extant in the visual rhetoric literature, but with a novel, unifying organization which, we will demonstrate, is organically grammatical in the precise sense of the word. Our goal is not to silence other language scholars who interpret visuals in their own ways but rather to offer up a safe space where, theories and ideologies and egos aside, we can collectively name what we collectively experience in visual information, then as technical communicators read and create visuals with a fuller understanding of how visuals work in relation to and separate from textual interpretation.
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