{"title":"电子音乐和动态影像","authors":"J. D'Escrivàn","doi":"10.1017/ccol9780521868617.011","DOIUrl":null,"url":null,"abstract":"When trying to affect our emotions as a narrative accompaniment to familiar visuals, elec-tronic and pre-recorded sounds colour our perception in a unique way, arguably beyond the possi-bilities of conventional instruments. The omnipresent warnings of beeping mobile phones, pop-music ringtones and of course the sounds and music from video game consoles affirm that electron-ic music is not only functional, but almost mandatory. But electronic music has been influenced by the visual and in turn, the visual has been enriched by electronic music.","PeriodicalId":221189,"journal":{"name":"The Cambridge Companion to Electronic Music","volume":"295 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2007-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Electronic music and the moving image\",\"authors\":\"J. D'Escrivàn\",\"doi\":\"10.1017/ccol9780521868617.011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"When trying to affect our emotions as a narrative accompaniment to familiar visuals, elec-tronic and pre-recorded sounds colour our perception in a unique way, arguably beyond the possi-bilities of conventional instruments. The omnipresent warnings of beeping mobile phones, pop-music ringtones and of course the sounds and music from video game consoles affirm that electron-ic music is not only functional, but almost mandatory. But electronic music has been influenced by the visual and in turn, the visual has been enriched by electronic music.\",\"PeriodicalId\":221189,\"journal\":{\"name\":\"The Cambridge Companion to Electronic Music\",\"volume\":\"295 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2007-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cambridge Companion to Electronic Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/ccol9780521868617.011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cambridge Companion to Electronic Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/ccol9780521868617.011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
When trying to affect our emotions as a narrative accompaniment to familiar visuals, elec-tronic and pre-recorded sounds colour our perception in a unique way, arguably beyond the possi-bilities of conventional instruments. The omnipresent warnings of beeping mobile phones, pop-music ringtones and of course the sounds and music from video game consoles affirm that electron-ic music is not only functional, but almost mandatory. But electronic music has been influenced by the visual and in turn, the visual has been enriched by electronic music.