A. Markowska
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引用次数: 1

摘要

华沙城市博物馆对展览布局进行了彻底的重建,与设施的总体重建和长期馆长Janusz Durko(1951-2003)的退休有关,导致2017年开设了一个新的永久性展览,名为“来自华沙的东西”。博览会由21个橱柜组成,其中包括从博物馆馆藏的30万件藏品中选出的8000件物品(例如,华沙纪念碑柜,华沙银器柜和盘子餐具柜,华沙塞妖柜,明信片柜,纪念品柜,神龛柜)。主要标准是特定项目的重要性和真实性,这导致没有多媒体展示和建议的“适当”叙述。本次展览的主要策展人是艺术史学家、策展人Jarosław trybuka,他曾在2008年威尼斯双年展上获得金狮奖。他的团队遵循了Bjørnar Olsen的一个想法,即由于各种概念化,人文学科研究的物质世界已经如此非物质化,以至于我们几乎无法相信自己的眼睛。因此,展览的特点——真诚、严肃和谦虚——通过体验事物的现实,而不是作为过去事件的“目击者”,而是作为“演员”,提出了一种新的方式来了解这座城市的历史。这种对物质性的转向源于希望接近事物,而不需要言语的调解,预先强加可预测的解释。换句话说,这种阐述是一种开放、多向阅读和历史去意识形态化的教训。“来自华沙的东西”展览根据三个标准进行了分析:对“他者”的开放,对未来的愿景,以及想象力的鼓舞力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„Rzeczy warszawskie” – nowa odsłona Muzeum Warszawy
A radical reconstruction of the exposition layout at the Museum of the City of Warsaw, connected with the general reconstruction of the facilities and retirement of its longtime director, Janusz Durko (1951-2003), resulted in 2017 in opening a new permanent exposition called Things from Warsaw. The exposition consists of 21 cabinets containing 8 000 items selected out of 300 000 included in the museum holdings (e. g., Cabinet of Warsaw Monuments, Cabinet of Warsaw Silver and Plate Tableware, Cabinet of the Warsaw Sirens, Cabinet of Postcards, Cabinet of Souvenirs, Cabinet of Shrines). The main criterion was the materiality and authenticity of particular items, which resulted in the absence of multimedia presentations and suggested “appropriate” narratives. The main curator of the exposition is Jarosław Trybuś, art historian and curator rewarded with the Golden Lion at the Venice Biennale in 2008. His team followed an idea of Bjørnar Olsen that due to various conceptualizations the material world studied by the humanities has been so dematerialized that we can hardly believe our eyes. Thus the features of the exposition – sincerity, seriousness, and modesty – suggest a new approach to the city’s history through experiencing the reality of things treated not so much as “witnesses,” but rather as “actors” of the past events. This turn to materiality stems from the hope to come close to the things without the mediation of words imposing predictable interpretations in advance. In other words, the exposition is a kind of lesson in openness, multidirectional reading, and the de-ideologization of history. The Things from Warsawexhibition has been analyzed in reference to three criteria: openness to the “other,” creating a vision of the future, and the inspiring power of imagination. 
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