{"title":"安德烈·彭特亚多摄影中微观与宏观历史之间的摇摆","authors":"Alexandre Santos","doi":"10.22456/2179-8001.98254","DOIUrl":null,"url":null,"abstract":"This article discusses the reconstruction of memory through two photographic books by São Paulo artist André Penteado, respectively O Suicídio de meu pai (2007-2014) and Cabanagem (2015). If in the fi rst work the artist proposes relations focused more on the autobiographical and on the micronarrative regarding the taboos about suicide and individual suffering, in the second, he offers us a broader discussion of the elements that anchor the historical erasures related to violence and collective suffering.","PeriodicalId":426791,"journal":{"name":"PORTO ARTE: Revista de Artes Visuais","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Oscillations between micro and macrohistory in the photography of André Penteado\",\"authors\":\"Alexandre Santos\",\"doi\":\"10.22456/2179-8001.98254\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses the reconstruction of memory through two photographic books by São Paulo artist André Penteado, respectively O Suicídio de meu pai (2007-2014) and Cabanagem (2015). If in the fi rst work the artist proposes relations focused more on the autobiographical and on the micronarrative regarding the taboos about suicide and individual suffering, in the second, he offers us a broader discussion of the elements that anchor the historical erasures related to violence and collective suffering.\",\"PeriodicalId\":426791,\"journal\":{\"name\":\"PORTO ARTE: Revista de Artes Visuais\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PORTO ARTE: Revista de Artes Visuais\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22456/2179-8001.98254\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PORTO ARTE: Revista de Artes Visuais","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22456/2179-8001.98254","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文通过圣保罗艺术家andr Penteado的两本摄影书(O Suicídio de meu pai, 2007-2014)和Cabanagem(2015)来讨论记忆的重建。如果说在第一部作品中，艺术家提出的关系更多地集中在自传体和关于自杀和个人痛苦禁忌的微叙事上，那么在第二部作品中，他为我们提供了一个更广泛的讨论，探讨了与暴力和集体痛苦相关的历史抹除的元素。
Oscillations between micro and macrohistory in the photography of André Penteado
This article discusses the reconstruction of memory through two photographic books by São Paulo artist André Penteado, respectively O Suicídio de meu pai (2007-2014) and Cabanagem (2015). If in the fi rst work the artist proposes relations focused more on the autobiographical and on the micronarrative regarding the taboos about suicide and individual suffering, in the second, he offers us a broader discussion of the elements that anchor the historical erasures related to violence and collective suffering.
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