诗歌语言的变异功能问题

A. Losev
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引用次数: 1

摘要

尽管关于语言和文学风格理论的文献大量存在,但这一领域的几个基本术语仍然没有得到适当的定义,许多问题仍有待解决。因此,在本文中,我们必须让“诗”、“画”、“象”这些术语不作界定,自觉地把自己置于不加批判地思考的位置。所有这些术语在许多其他著作中都有定义,特别是在本文作者的著作中。等待所有这些术语得到最后的定义,将意味着我们与富有成果的诗歌、语言和风格分析隔绝。我们只想把注意力集中在一个问题上,即诗歌中视觉意象的功能,并相当批判性地讨论这个问题——然而,我们并不打算对上面提到的基本术语进行科学和批判性的分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Problem of the Variative Functioning of Poetic Language
Despite the existence of a huge literature on the theory of linguistic and literary styles, several basic terms in this area have still not been given proper definition, and many problems still await their resolution in the future. Therefore, in the present essay we must leave undefined such terms as "poetry," "painting," and "image" and consciously put ourselves in the position of thinking uncritically. All such terms are defined in a great many other works, in particular in the works of the author of the present discussion. Waiting for all these terms to be given final definition would mean cutting ourselves off from fruitful poetic, linguistic, and stylistic analysis. We would like to focus attention on only one problem, the functioning of visual imagery in poetry, and discuss this question rather critically—without, however, addressing ourselves to a scientific and critical analysis of the basic terms referred to above.
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