托尼·希勒曼犯罪小说中的种族与社会批判

Šárka Bubíková
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引用次数: 1

摘要

美国推理小说作家托尼·希勒曼(1925-2008)在美国国内外都有广泛的读者,尤其是在美国本土的美国白人和印第安人中。本文首先从侦探小说的传统出发,对希勒曼的侦探小说进行了探讨,然后着重讨论了希勒曼运用推理(犯罪)小说的框架向读者传播西南民族(部落)知识的特定主题和文学手段。希勒曼的两个文学侦探中尉乔·利普霍恩和中士吉姆·奇,都是纳瓦霍部落警察,他们与女性角色进行了分析和对比。最后,本文分析了希勒曼如何将侦探们对西南部落的传统、信仰和仪式的深入了解以及对风景的粗犷之美作为小说情节的中心,以及他如何呈现文化信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnicity and Social Critique in Tony Hilleman’s Crime Fiction
Abstract American mystery writer Tony Hillerman (1925-2008) achieved wide readership both within the United States and abroad, and, significantly, within the US both among white Americans and Native Americans. This article discusses Hillerman’s detective fiction firstly within the tradition of the genre and then focuses on particular themes and literary means the writer employs in order to disseminate knowledge about the Southwestern nations (tribes) among his readers using the framework of mystery (crime) fiction. Hillerman’s two literary detectives Lieutenant Joe Leaphorn and Sergeant Jim Chee, both of the Navajo Tribal Police, are analyzed and contrasted with female characters. Finally, the article analyzes the ways in which Hillerman makes the detectives’ intimate knowledge of the traditions, beliefs and rituals of the southwestern tribes and of the rough beauty of the landscape central to the novels’ plots, and how he presents cultural information.
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