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引用次数: 0
摘要
“施恩座”在救世军敬拜中扮演重要的角色。它象征着恩典对所有人的直接性的核心神学原则。从历史上看,它的功能是为那些打算第一次“接受基督”的人使用。随着时间的推移,它的使用范围扩大到包括其他意图,同时它的使用频率也在减少。这篇文章表明,当从神学戏剧的角度来看,在怜悯座前祈祷的行为成为当代的,即兴的,基督客西马尼祷告的表演,“不要成就我的意思,只要成就你的意思”(路加福音22:42)。扩大对这一行为的理解,使其成为耶稣祈祷的刻意重复和具体化的表现,可能有助于克服这一符号使用的缺失。根据Adrienne von Speyr和Kevin Vanhoozer的作品,这篇文章将展示基督在客西马尼园的祷告是如何通过拯救主义者和新信徒在怜悯座上的当代即兴表演来体现的。
“Not My Will But Yours be Done”: The Use of the Mercy Seat in Theodramatic Perspective
The “Mercy Seat” performs an important function within Salvation Army worship. It symbolizes the central theological tenet of the immediacy of grace to all. Historically, its function was intended for use by those intending to “receive Christ” for the first time. Over time, its use has broadened to include other intentions whilst simultaneously diminishing in the frequency of its use. This article suggests that when viewed from a theodramatic perspective, the act of praying at the Mercy Seat becomes a contemporary, and improvised, performance of Christ's Gethsemane prayer, “Not my will, but yours be done” (Luke 22:42). The broadening of the understanding of this act to become a deliberately repeated and embodied performance of Jesus’ prayer may help to overcome the loss of use of this symbol. Drawing upon the work of Adrienne von Speyr and Kevin Vanhoozer, this article will demonstrate how the prayer of Christ in Gethsemane is embodied through contemporary, improvised performance of his prayer at the Mercy Seat by Salvationists and those new to the faith alike.