下舞台

N. Davis
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引用次数: 3

摘要

1836年,阿芳梅回到纽约,她的销售职能完全结束,她的经理亨利·汉宁顿(Henry Hannington)在他的纽约立体模型和全景娱乐活动中,只雇佣她作为东方对象。1837年的大恐慌之后,汉宁顿的业务崩溃了。那些把她带到美国的人,纳撒尼尔和弗朗西斯·卡恩斯以及本杰明·奥贝尔船长,似乎已经抛弃了她,尽管他们承诺要把她送回中国。正如第9章所述,1838年,没有资源或经济支持的阿丰梅进入了新泽西州蒙茅斯的一家济贫院。然而,公众并没有忘记她。全国各地的报纸纷纷为她辩护,发表文章谴责她的遭遇。公民们迫使她的监护人挺身而出,为她提供支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Off Stage
Returning to New York City in 1836, Afong Moy’s sales functions fully ended and her manager, Henry Hannington, employed her solely as an oriental object in his New York diorama and panorama entertainments. After the Panic of 1837, Hannington’s operations collapsed. Those who brought her to America, Nathaniel and Francis Carnes and Captain Benjamin Obear, appear to have abandoned her despite their promise of returning her to China. In 1838, as Chapter 9 relates, Afong Moy, without resources or financial support, entered a poorhouse in Monmouth, New Jersey. Yet, the public did not forget her. Rallying to her defense, newspapers across the nation ran articles decrying her treatment. Citizens forced her guardians to come forward and contribute to her support.
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