培养学生词曲作者的投射能力:创作真正流行的流行歌曲

C. Sampson
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引用次数: 1

摘要

一个年轻的词曲作者成长过程中的一个重要转折点发生在他们从写可能只对自己有意义的歌转变为写与更广泛的听众联系的歌的时候。这种成就可以被描述为学生通过他们的歌曲实现了良好的投射。更具体地说,当学生成功地利用技巧元素,通过节奏、旋律、形式和歌词有效地引起观众的参与时,歌曲创作中的良好投射就会发生。艺术家的角色也可以通过他们独特而引人注目的表演风格与广泛的观众建立联系。通过理解这些元素,各个层次的歌曲创作教师都可以精心设计课程,专注于这些基础知识,明确目标是提高学生写作中的投射能力。此外,投射的概念有助于创建基线标准,以评估课堂上的歌曲,无论其类型或亚类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Developing projection in student songwriters: Writing popular songs that are actually popular
An important turning point in the development of a young songwriter occurs when they transition from writing songs that might only be meaningful to themselves to writing songs with the intention of connecting to a wider audience. This accomplishment can be described as a student achieving good projection through their songs. More specifically, good projection in songwriting happens when student’s successfully leverage elements of the craft that effectively produces audience participation through groove, melody, form and lyrics. An artist’s persona can also contribute significantly to connecting with a wide audience through their unique and compelling performance style. Through understanding these elements, songwriting instructors at all levels can craft lessons that focus on these fundamentals with the explicit goal of improving projection in their students writing. Furthermore, the concept of projection helps create baseline criteria for the assessment of songs in the classroom regardless of genre or subgenre.
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