{"title":"克拉留克小说中作为心理意象形式的告白(“六天,或奥斯特罗斯基家的王冠”、“坚强而孤独”、“达尼洛·奥斯特罗斯基:被珠子殴打的形象”、“真正的马泽帕”)","authors":"A. Chmyr","doi":"10.26661/2414-9594-2021-2-18","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":105799,"journal":{"name":"Language. Literature. Folklore","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CONFESSION AS A FORM OF PSYCHOLOGICAL IMAGE IN P. KRALYUK’S NOVELS (“SIX DAYS, OR THE CROWN OF THE OSTROZKY HOUSE”, “STRONG AND LONELY”, “DANILO OSTROZKY: THE IMAGE THAT IS BEATED BY BEADS” AND “TRUE MAZEPA”)\",\"authors\":\"A. Chmyr\",\"doi\":\"10.26661/2414-9594-2021-2-18\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":105799,\"journal\":{\"name\":\"Language. Literature. Folklore\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Language. Literature. Folklore\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26661/2414-9594-2021-2-18\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language. Literature. Folklore","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26661/2414-9594-2021-2-18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
CONFESSION AS A FORM OF PSYCHOLOGICAL IMAGE IN P. KRALYUK’S NOVELS (“SIX DAYS, OR THE CROWN OF THE OSTROZKY HOUSE”, “STRONG AND LONELY”, “DANILO OSTROZKY: THE IMAGE THAT IS BEATED BY BEADS” AND “TRUE MAZEPA”)