{"title":"Tenyidie:东南亚的另一个非洲音调系统?","authors":"Savio M. Meyase","doi":"10.21437/TAL.2018-34","DOIUrl":null,"url":null,"abstract":"In this paper, I compare Tenyidie (Angami) with two neighbouring languages Kuki-Thadou and Mizo, which are also Tibeto-Burman, by looking at the similarities and dissimilarities in the tonal aspects, with the knowledge that Kuki-Thadou is known to be an outlier in the language map by showing more of an African tone aspect (Hyman 2010) [1]. While Mizo shows up to be a very typical Tibeto-Burman tone language (Sreenivasan 2015) [2], Tenyidie lies somewhere in between Mizo and Kuki-Thadou in its similarities to African tonal characteristics. The properties of ‘contour tone system’ in Pike (1948) [3] fit more for the Mizo contours and those for ‘register tone system’ fit more for Thadou and Tenyidie. However, while the post-lexical phenomena of ‘downstep’ and ‘downdrift’ are present in Thadou, they are absent in both Mizo and Tenyidie.","PeriodicalId":233495,"journal":{"name":"6th International Symposium on Tonal Aspects of Languages (TAL 2018)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tenyidie: Another African Tone System in Southeast Asia?\",\"authors\":\"Savio M. Meyase\",\"doi\":\"10.21437/TAL.2018-34\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, I compare Tenyidie (Angami) with two neighbouring languages Kuki-Thadou and Mizo, which are also Tibeto-Burman, by looking at the similarities and dissimilarities in the tonal aspects, with the knowledge that Kuki-Thadou is known to be an outlier in the language map by showing more of an African tone aspect (Hyman 2010) [1]. While Mizo shows up to be a very typical Tibeto-Burman tone language (Sreenivasan 2015) [2], Tenyidie lies somewhere in between Mizo and Kuki-Thadou in its similarities to African tonal characteristics. The properties of ‘contour tone system’ in Pike (1948) [3] fit more for the Mizo contours and those for ‘register tone system’ fit more for Thadou and Tenyidie. However, while the post-lexical phenomena of ‘downstep’ and ‘downdrift’ are present in Thadou, they are absent in both Mizo and Tenyidie.\",\"PeriodicalId\":233495,\"journal\":{\"name\":\"6th International Symposium on Tonal Aspects of Languages (TAL 2018)\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"6th International Symposium on Tonal Aspects of Languages (TAL 2018)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21437/TAL.2018-34\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"6th International Symposium on Tonal Aspects of Languages (TAL 2018)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21437/TAL.2018-34","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Tenyidie: Another African Tone System in Southeast Asia?
In this paper, I compare Tenyidie (Angami) with two neighbouring languages Kuki-Thadou and Mizo, which are also Tibeto-Burman, by looking at the similarities and dissimilarities in the tonal aspects, with the knowledge that Kuki-Thadou is known to be an outlier in the language map by showing more of an African tone aspect (Hyman 2010) [1]. While Mizo shows up to be a very typical Tibeto-Burman tone language (Sreenivasan 2015) [2], Tenyidie lies somewhere in between Mizo and Kuki-Thadou in its similarities to African tonal characteristics. The properties of ‘contour tone system’ in Pike (1948) [3] fit more for the Mizo contours and those for ‘register tone system’ fit more for Thadou and Tenyidie. However, while the post-lexical phenomena of ‘downstep’ and ‘downdrift’ are present in Thadou, they are absent in both Mizo and Tenyidie.