{"title":"日本电影书-藤木秀明&阿拉斯泰尔·菲利普斯(编)","authors":"Alejandra Armendáriz-Hernández","doi":"10.32926/2020.9.r.arm.cinem","DOIUrl":null,"url":null,"abstract":"Japanese film studies is an academic discipline and research community focusing on the multifaceted aspects of Japanese cinema. Deeply interdisciplinary, it employs theories, critical approaches and methods from different fields such as film studies and cultural studies to understand Japanese films as works of art, cultural products and social practices. What makes a film “Japanese”, and even what is a film, are far from easy questions, particularly in the globalised, transnational and digitalised world in which we now live, but nevertheless are issues that define the disciple and its historiography.\n\nYomota Inuhiko puts it simply in [...]","PeriodicalId":422455,"journal":{"name":"Artists, Aesthetics, and Artworks from, and in conversation with, Japan - Part 2","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Japanese Cinema Book – FUJIKI Hideaki & Alastair PHILLIPS (eds)\",\"authors\":\"Alejandra Armendáriz-Hernández\",\"doi\":\"10.32926/2020.9.r.arm.cinem\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Japanese film studies is an academic discipline and research community focusing on the multifaceted aspects of Japanese cinema. Deeply interdisciplinary, it employs theories, critical approaches and methods from different fields such as film studies and cultural studies to understand Japanese films as works of art, cultural products and social practices. What makes a film “Japanese”, and even what is a film, are far from easy questions, particularly in the globalised, transnational and digitalised world in which we now live, but nevertheless are issues that define the disciple and its historiography.\\n\\nYomota Inuhiko puts it simply in [...]\",\"PeriodicalId\":422455,\"journal\":{\"name\":\"Artists, Aesthetics, and Artworks from, and in conversation with, Japan - Part 2\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artists, Aesthetics, and Artworks from, and in conversation with, Japan - Part 2\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32926/2020.9.r.arm.cinem\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artists, Aesthetics, and Artworks from, and in conversation with, Japan - Part 2","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32926/2020.9.r.arm.cinem","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Japanese Cinema Book – FUJIKI Hideaki & Alastair PHILLIPS (eds)
Japanese film studies is an academic discipline and research community focusing on the multifaceted aspects of Japanese cinema. Deeply interdisciplinary, it employs theories, critical approaches and methods from different fields such as film studies and cultural studies to understand Japanese films as works of art, cultural products and social practices. What makes a film “Japanese”, and even what is a film, are far from easy questions, particularly in the globalised, transnational and digitalised world in which we now live, but nevertheless are issues that define the disciple and its historiography.
Yomota Inuhiko puts it simply in [...]