{"title":"从凝视到见证:萧伯纳瓦山画中的阳刚之气与失落","authors":"E. Oliver","doi":"10.2218/FORUM.27.2902","DOIUrl":null,"url":null,"abstract":"This paper explores the gaze as witness in George Shaw’s painting of Tile Hill. Considering Shaw’s process of making in the series ‘Scenes of the Passion’ (1990-2017) the paper addresses the relationship of site, memory and gaze in a negotiation of masculinity and loss in these images.","PeriodicalId":439591,"journal":{"name":"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill\",\"authors\":\"E. Oliver\",\"doi\":\"10.2218/FORUM.27.2902\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores the gaze as witness in George Shaw’s painting of Tile Hill. Considering Shaw’s process of making in the series ‘Scenes of the Passion’ (1990-2017) the paper addresses the relationship of site, memory and gaze in a negotiation of masculinity and loss in these images.\",\"PeriodicalId\":439591,\"journal\":{\"name\":\"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2218/FORUM.27.2902\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2218/FORUM.27.2902","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill
This paper explores the gaze as witness in George Shaw’s painting of Tile Hill. Considering Shaw’s process of making in the series ‘Scenes of the Passion’ (1990-2017) the paper addresses the relationship of site, memory and gaze in a negotiation of masculinity and loss in these images.
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