欧洲边界:圆桌讨论

Yoeri Albrecht, V. Byvanck, Hedwig Fijen, Steven ten Thije, Sjoukje van der Meulen, N.S.J.F. Zonnenberg, M. Schavemaker, Esmee Schoutens
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引用次数: 0

摘要

为了回应“欧洲的边界”这一主题,客座编辑Sjoukje van der Meulen和Nathalie Zonnenberg邀请了文化领域的四位参与者来讨论自1992年以来欧洲项目中的欧洲边界以及艺术和文化的作用。讨论的所有四个参与者都组织了以欧洲为中心或与欧洲有关的文化项目。2016年,约里·阿尔布雷希特与荷兰文化在德巴利组织了第一届两年一度的欧洲文化论坛。该论坛为思想家和艺术家提供了一个想象欧洲理念的平台。2017年,瓦伦丁·拜维克与吉斯·弗里林(Gijs Frieling)和20位艺术家在马雷斯(Marres)共同策划了一件联合艺术品,名为《被画的鸟:欧洲的梦想和噩梦》。它包括粉刷750平方米的历史建筑表面,并伴随着配乐。海德薇格·菲扬(Hedwig Fijen)是欧洲当代艺术双年展Manifesta的总监,她于1996年创立了该展;展览将从艺术和文化的角度探讨欧洲气候变化的DNA,以及潜在的地缘政治和社会政治议程。每两年在欧洲不同的地方举办一次流动双年展:从1996年的鹿特丹到2016年的苏黎世。Manifesta将于2018年6月在巴勒莫开业。最后,Steven ten Thije是“艺术的用途- 1848年和1989年的遗产”(2013-2018)平台的项目负责人,该平台由欧洲六个现代和当代艺术博物馆联盟L 'Internationale发起。L’internationale提出了一个非等级化和去中心化的国际主义的艺术空间,基于不同的价值观和文化媒介之间的横向交流。通过展览、专题讨论会、出版物、教育项目和员工交流,《国际报》寻求在博物馆界建立实质性的长期合作伙伴关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Borders of Europe A Roundtable Discussion
In response to the theme, The Borders of Europe, guest editors Sjoukje van der Meulen and Nathalie Zonnenberg invited four players in the cultural field to discuss the borders of Europe and the role of art and culture within the European project since 1992. All four participants in the discussion organize cultural projects that center on or are related to Europe. In 2016 Yoeri Albrecht organized the first edition of the biannual Forum on European Culture in De Balie with DutchCulture. The forum offers thinkers and artists a platform to imagine the idea of Europe. In 2017, with Gijs Frieling and twenty artists, Valentijn Byvanck co-curated a joint artwork at Marres, The Painted Bird: Dreams and Nightmares of Europe. It involved painting 750 square meters of the historic building’s surface area, and was accompanied by a soundtrack. Hedwig Fijen is director of the European Biennial of Contemporary Art, Manifesta, which she founded in 1996; an exhibition that explores the changing DNA of the European climate, together with the underlying geopolitical and sociopolitical agenda, from the perspective of art and culture. Every two years the roving biennial takes place in a different location in Europe: from Rotterdam in 1996 to Zurich in 2016. Manifesta opens in Palermo in June 2018. Finally, Steven ten Thije is the project leader of the platform The Uses of Art – The Legacy of 1848 and 1989 (2013–2018), initiated by L’Internationale, a confederation of six European museums for modern and contemporary art. L’Internationale proposes a space for art within a non-hierarchical and decentralized internationalism, based on the values of difference and horizontal exchange among a constellation of cultural agents. With exhibitions, symposia, publications, education programs, and staff exchanges, L’Internationale seeks to foster a substantive, long-term partnership in the museum world.
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