捕食者

Poussin's Women Pub Date : 2020-08-11 DOI:10.2307/j.ctv15d7zwj.7

Troy Thomas

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引用次数: 0

摘要

第一章考察了普桑的油画，这些油画描绘了塞弗勒斯、奥罗拉、黛安娜和恩底弥翁，着重描写了这些女神作为性掠夺者诱捕无辜的凡人男性，在爱情中支配他们。他们的故事反映了一种父权倒置，男性认为女性在爱情中控制着他们，而在普桑的时代，通常情况正好相反，法律和习俗严重限制了女性在婚姻之外的性活动。

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Predators

Chapter 1 considers Poussin’s canvases representing Cephalus and Aurora and Diana and Endymion, focusing on the goddesses as sexual predators who snare innocent mortal males, dominating them in love. Their stories reflect a patriarchal inversion in which men project the belief that females control them in love, whereas in Poussin’s time the reverse was normally the case, as exemplified in laws and customs severely restricting women’s sexual activities outside of marriage.

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Poussin's Women

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