你能想到的一切都是月亮

Rhonda Weppler
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引用次数: 0

摘要

我们提议的项目是一个我们收集了20多年的物品的策划数字目录。包括400多个不同的物体,每一个都被仔细地拍摄了所有的侧面。这些记录的表面被数字化地重新配置,就好像物体被剥皮和变平一样,使物体能够被二维打印。一旦打印和切割出来,表面可以折叠,以创造一个三维的,逼真的复制品。虽然仿制品缺乏真品的真实历史,但复制的老化和磨损模式说服了观众。这些冒牌货真的能召唤出与原作有关的鬼魂吗?复制的纪念品是否具备真正纪念品的功能?旅行中收集的物品,童年的最爱,标志着我们的青少年时期,或者是我们已故的祖父母给我们的,似乎为我们提供了与过去的联系。然而,在现实中,他们就像纸上的双胞胎一样被物质束缚着。我们以实物大小的旧货店的形式展示了整个印刷复制品的临时装置。这些物品印在半透明的醋酸酯上,现在变成了灯笼,并在社区灯节活动中分发出去。以这种方式分散收藏是一种礼物赠送的游戏,允许作品扩散,并开始新的历史。[参见安装的视频链接:https://vimeo.com/341254142]我们希望通过张贴一系列可用于在线打印的物品来延续这种传播的想法,让任何人都可以自己制作。根据可用空间的不同,这个集合可以是一些精心策划的图像,也可以是更广泛的选择。每件文物都附有一小段文字,概述了原始文物被发现的时间和地点。我们选择了其中的一些作为项目的例子;这些都在下面的页面上(在较低的分辨率比可能的)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
There is nothing you can think that is not the moon
Our proposed project is a curated digital catalogue of objects which we have collected for over 20 years. Including over 400 different objects, each has been carefully photographed on all of its sides. These recorded surfaces are reconfigured digitally as if the object has been flayed and flattened, enabling the object to be printed two dimensionally. Once printed and cut out, the surfaces can be folded to create a three dimensional, realistic facsimile of the original. While the mimic lacks the actual history of the original, the duplicated aging and wear patterns persuade the viewer otherwise. Can these imposters truly conjure up the ghosts associated with the original? Is the copied souvenir capable of fulfilling the role of a real souvenir? Objects that were collected on trips, childhood favorites, marked our teenage years, or were given to us by our now-deceased grandparents, appear to provide us with a connection to our past. However, in reality they are as material bound as their paper twins.   We have shown the entire collection of printed duplicates as an ephemeral installation in the form of a life-sized thrift store. Printed on translucent acetate, the objects now transformed into lanterns and were given away during a community light festival event. Dispersing the collection in this way is a play on gift giving, allowing the piece to diffuse and the objects to begin new histories. [See video link for installation:  https://vimeo.com/341254142] We want to continue this idea of dispersal by posting a collection of the objects to be available for online printing, for anyone to produce themselves. Depending on space available, this collection could be a handful of curated images, or a more extensive selection. Each object would be accompanied by a small text outlining where and when the original objects was found. We have selected a few of these as examples of what the project would look like; these are on the following pages (at a lower resolution than what is possible).
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