{"title":"Oriri ex cinere","authors":"Spring Hurlbut","doi":"10.21827/ejlw.9.36914","DOIUrl":null,"url":null,"abstract":"In Oriri ex cinere (rising from the ashes), artist Spring Hurlbut recounts the inspiration and process behind the photographic and video work she has created using cremated human and animal ashes. Hurlbut’s lines, quadrilaterals and circles of ash have an integrity of form that keeps them whole and intact, and another force that dissipates their structure, suggestive of the dissolution that ultimately affects all living forms. Her video, Airborne, shows ashes of named individuals emerging from black boxes and riding the air currents in a dance involving the movements of the living and the vestiges of the dead. Hurlbut draws attention to the reality of death that is generally cloistered in our society. Through her activation of human and animal ashes, she gives the dead a chance to engage once again with life.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The European Journal of Life Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21827/ejlw.9.36914","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在Oriri ex cinere(从灰烬中升起)中,艺术家Spring Hurlbut讲述了她使用火化的人类和动物骨灰创作的摄影和视频作品背后的灵感和过程。赫尔伯特画中的线条、四边形和灰圈都有一种完整的形式,使它们保持完整和完整,而另一种力量则使它们的结构消散,暗示着最终影响所有生命形式的溶解。她的视频《机载》(Airborne)显示,有名字的人的骨灰从黑匣子中冒出来,在气流中舞动,其中包括生者的动作和死者的痕迹。Hurlbut让人们注意到在我们的社会中普遍被隔离的死亡现实。通过激活人类和动物的骨灰,她让死者有机会再次与生命接触。
In Oriri ex cinere (rising from the ashes), artist Spring Hurlbut recounts the inspiration and process behind the photographic and video work she has created using cremated human and animal ashes. Hurlbut’s lines, quadrilaterals and circles of ash have an integrity of form that keeps them whole and intact, and another force that dissipates their structure, suggestive of the dissolution that ultimately affects all living forms. Her video, Airborne, shows ashes of named individuals emerging from black boxes and riding the air currents in a dance involving the movements of the living and the vestiges of the dead. Hurlbut draws attention to the reality of death that is generally cloistered in our society. Through her activation of human and animal ashes, she gives the dead a chance to engage once again with life.