{"title":"“比那更奇怪”:30岁时理解漫画","authors":"Hillary L. Chute","doi":"10.1353/ink.2022.0020","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay suggests a reevaluation of the famous schematics of Understanding Comics, arguing that the book, known for its definitions, is as invested in the \"weirdness\" and mystery of comics as it is in treating comics scientifically. It locates a productive investment in weirdness in McCloud's treatment of time in comics, and lauds his own flexible visual style as well as his attention to style in others' work.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Weirder than That\\\": Understanding Comics at Thirty\",\"authors\":\"Hillary L. Chute\",\"doi\":\"10.1353/ink.2022.0020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay suggests a reevaluation of the famous schematics of Understanding Comics, arguing that the book, known for its definitions, is as invested in the \\\"weirdness\\\" and mystery of comics as it is in treating comics scientifically. It locates a productive investment in weirdness in McCloud's treatment of time in comics, and lauds his own flexible visual style as well as his attention to style in others' work.\",\"PeriodicalId\":392545,\"journal\":{\"name\":\"Inks: The Journal of the Comics Studies Society\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inks: The Journal of the Comics Studies Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ink.2022.0020\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inks: The Journal of the Comics Studies Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ink.2022.0020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"Weirder than That": Understanding Comics at Thirty
ABSTRACT:This essay suggests a reevaluation of the famous schematics of Understanding Comics, arguing that the book, known for its definitions, is as invested in the "weirdness" and mystery of comics as it is in treating comics scientifically. It locates a productive investment in weirdness in McCloud's treatment of time in comics, and lauds his own flexible visual style as well as his attention to style in others' work.
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