贾格迪什·吉米尔《利拉姆》中建构的男子气概

Asmita Bista
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摘要

本文主要探讨贾格迪什·吉米尔的《利拉姆》中男性气质的性别建构。本文的主要论点是男性气概是一种建构的实体;因此,这部小说中的男性角色通过他们的表演构成了他们的男子气概。此外,这部小说中的男性角色证实了社会公认的作为女人或男人的普遍真理;因此,他们对男性气质的表现不仅给他们自己带来了问题,也给女性角色带来了问题。为了支持这一论点,康奈尔和坎梅尔的男子气概概念被用作主要的理论参数来分析被审查的文本。他们声称,传统的男子气概伤害了女性和男性,因为他们被规定的性别角色所限制。根据康奈尔的说法,男人不是天生的,而是后天养成的;事实上,男人是在社会和历史背景下主动塑造自己的男子气概的。因此,男性在表现出男子气概的同时也会受到压抑。本文的意义在于分析位于Tamakoshi河岸的Manthali村的男性居住状况。文章的结论是,《利拉姆》中的男性角色无法幸福和平地生活,因为父权制夺走了他们生活的幸福与和平,将他们埋在了难以承受的男子气概的负担之下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Constructed Masculinity in Jagdish Gimire’s Lilaam
This article focuses on gendered construction of masculinity in Jagdish Ghimire’s Lilaam. The main argument of this article is that masculinity is constructed entity; so, male characters of this novel constituted their masculinity through their performances. Moreover, the male characters of this novel confirm the socially accepted universal truths about being a woman or man; consequently, their exhibition of masculinity cause problems not only to them but also to the female characters. To support this argument, Connell’s and Kimmel’s idea of masculinity have been used as major theoretical parameters to analyze the text under scrutiny. They have claimed that conventional masculinity harms both women and men who are caught up in a systematic constructed limitation due to their prescribed gender roles. According to Connell, men are not born, they are made; in fact, men make themselves, actively constructing their masculinities within a social and historical context. Consequently, males undergo repression while exhibiting masculinity. The significance of this article is to analyze the condition of males residing in Manthali village that is situated on the bank of Tamakoshi river. The article concludes that the male characters of Lilaam cannot live happily and peacefully because snatching happiness and peace from their life, patriarchy buries them under the unbearable burden of masculinity.
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