{"title":"边缘的一般细化:游戏秀。","authors":"Punch Shaw","doi":"10.1080/10417948709372706","DOIUrl":null,"url":null,"abstract":"Since making the transition from radio to television, the game show has weathered the quiz show scandals, survived numerous changes in network programming strategies, and prospered in the wake of the FCC's “Prime‐Time Access Rule.” Treating the game show formula as a value‐laden system of cultural expression, this paper develops an analytic scheme for identifying and discussing major forms of the genre. This paper finds that recent genric refinements of the game show have been instituted to take advantage of the economic and regulatory conditions governing fringe television.","PeriodicalId":234061,"journal":{"name":"Southern Speech Communication Journal","volume":"104 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1987-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Generic Refinement on the Fringe: The Game Show.\",\"authors\":\"Punch Shaw\",\"doi\":\"10.1080/10417948709372706\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since making the transition from radio to television, the game show has weathered the quiz show scandals, survived numerous changes in network programming strategies, and prospered in the wake of the FCC's “Prime‐Time Access Rule.” Treating the game show formula as a value‐laden system of cultural expression, this paper develops an analytic scheme for identifying and discussing major forms of the genre. This paper finds that recent genric refinements of the game show have been instituted to take advantage of the economic and regulatory conditions governing fringe television.\",\"PeriodicalId\":234061,\"journal\":{\"name\":\"Southern Speech Communication Journal\",\"volume\":\"104 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1987-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Speech Communication Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417948709372706\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Speech Communication Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417948709372706","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
摘要
自从从广播转向电视以来,游戏节目经受住了智力竞赛节目的种种丑闻,在网络节目策略的无数变化中幸存下来,并在联邦通信委员会(FCC)的“黄金时段访问规则”(Prime - Time Access Rule)之后蓬勃发展。本文将游戏节目公式视为一种充满价值的文化表达系统,并提出了一种识别和讨论该类型主要形式的分析方案。本文发现,最近对游戏节目进行了一般性的改进,以利用边缘电视的经济和监管条件。
Since making the transition from radio to television, the game show has weathered the quiz show scandals, survived numerous changes in network programming strategies, and prospered in the wake of the FCC's “Prime‐Time Access Rule.” Treating the game show formula as a value‐laden system of cultural expression, this paper develops an analytic scheme for identifying and discussing major forms of the genre. This paper finds that recent genric refinements of the game show have been instituted to take advantage of the economic and regulatory conditions governing fringe television.