莫蒂:调式识别和音调识别工具箱

Altug Karakurt, Sertan Sentürk, Xavier Serra
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引用次数: 8

摘要

在许多音乐文化的演奏中,一般意义上,调式定义了旋律的框架,主音作为旋律的参考调音音高。录音的调式和主音信息对于自动抄写、调音分析和音乐相似度等音乐信息检索任务至关重要。在本文中,我们提出了MORTY,一个用于模式识别和音调识别的开源工具箱。工具箱实现了基于音高分布分析的两种最先进方法的广义变体。算法以通用的方式设计,这样它们就可以根据所研究的音乐传统的文化特定方面轻松优化。我们在迄今为止为奥斯曼-土耳其makam音乐策划的最大模式识别数据集上系统地测试了广义方法,该数据集由50种模式的1000个录音组成。在主音识别、模态识别和关节模态和主音估计任务中,准确率分别达到95.8%、71.8%和63.6%。我们还介绍了最近对卡纳蒂克和印度斯坦音乐的实验,并与最近提出的几种用于拉格/布拉格识别的方法进行了比较。我们优先考虑我们工作的可重复性,并公开提供我们所有的数据、代码和结果。因此,我们希望我们的工具箱将被用作未来提出的调式识别和主音识别方法的基准,特别是对于这些计算任务尚未解决的音乐传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MORTY: A Toolbox for Mode Recognition and Tonic Identification
In the general sense, mode defines the melodic framework and tonic acts as the reference tuning pitch for the melody in the performances of many music cultures. The mode and tonic information of the audio recordings is essential for many music information retrieval tasks such as automatic transcription, tuning analysis and music similarity. In this paper we present MORTY, an open source toolbox for mode recognition and tonic identification. The toolbox implements generalized variants of two state-of-the-art methods based on pitch distribution analysis. The algorithms are designed in a generic manner such that they can be easily optimized according to the culture-specific aspects of the studied music tradition. We test the generalized methodology systematically on the largest mode recognition dataset curated for Ottoman-Turkish makam music so far, which is composed of 1000 recordings in 50 modes. We obtained 95.8%, 71.8% and 63.6% accuracy in tonic identification, mode recognition and joint mode and tonic estimation tasks, respectively. We additionally present recent experiments on Carnatic and Hindustani music in comparison with several methodologies recently proposed for raga/raag recognition. We prioritized the reproducibility of our work and provide all of our data, code and results publicly. Hence we hope that our toolbox would be used as a benchmark for future methodologies proposed for mode recognition and tonic identification, especially for music traditions in which these computational tasks have not been addressed yet.
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