可模仿的查尔斯·狄更斯

Matthew P. M. Kerr
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引用次数: 0

摘要

对于许多评论家来说,查尔斯·狄更斯对海洋的运用产生了有问题的效果,因为他的航海场景的坚实特征不断地融入文学陈词滥调。相比之下,这一章表明,吸引狄更斯的是文学海洋中流动的双重性——既独特又平凡,既可信又不可信。讨论集中在董贝父子公司和《非商业旅行者》的随笔《海难》上,追溯了一些老套的航海联想(包括把海当作神)、人物(海军军官见习生)和定式(海难)。通过在他的散文中加入海洋,狄更斯经常找到一种方法,通过这种方法,他的人物和他作为记者遇到的个人都可以在他的想象中与他们理想的或文学上的替身共存。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Imitable Charles Dickens
For many critics, Charles Dickens’s use of the sea produces problematic effects, as solid features of his nautical scenes continually dissolve into literary cliché. By contrast, this chapter suggests that it is the mobile doubleness of the literary sea—at once unique and commonplace, credible and implausible—that appeals to Dickens. The discussion focuses on Dombey and Son and the Uncommercial Traveller essay ‘The Shipwreck’, tracing clichéd marine associations (including the sea as divine), figures (the midshipman), and set-pieces (the shipwreck). By involving the sea in his prose, Dickens often finds a means by which both his characters and the individuals he encounters as a journalist can be made to coexist in his imagination with their ideal or literary doubles.
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