{"title":"十世纪的认知和精神革命——君士坦丁和他的隐秘世界:第二部分。伟大的君主隐藏的世界在伟大的中世纪艺术作品","authors":"P. Várlaki, P. Baranyi","doi":"10.1109/coginfocom.2017.8268294","DOIUrl":null,"url":null,"abstract":"The paper discusses, through a comparative hermeneutical microanalysis, identical and very similar representational (iconographic) and meaning systems of such great medieval art-works as the Limburg Staurotheke, Orthodox Metal Icons and the “Archangel enamel pictures” of the Holy Crown of St Stephen of Hungary. The basis of the comparison is the discussed hidden mystical writings of the Great Monarch in part I of the paper.","PeriodicalId":212559,"journal":{"name":"2017 8th IEEE International Conference on Cognitive Infocommunications (CogInfoCom)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Cognitive and spiritual revolution of the tenth century — Constantine porphyrogenitus and his hidden world: Part II. The Great Monarch's hidden world in the great medieval artistic works\",\"authors\":\"P. Várlaki, P. Baranyi\",\"doi\":\"10.1109/coginfocom.2017.8268294\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper discusses, through a comparative hermeneutical microanalysis, identical and very similar representational (iconographic) and meaning systems of such great medieval art-works as the Limburg Staurotheke, Orthodox Metal Icons and the “Archangel enamel pictures” of the Holy Crown of St Stephen of Hungary. The basis of the comparison is the discussed hidden mystical writings of the Great Monarch in part I of the paper.\",\"PeriodicalId\":212559,\"journal\":{\"name\":\"2017 8th IEEE International Conference on Cognitive Infocommunications (CogInfoCom)\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2017 8th IEEE International Conference on Cognitive Infocommunications (CogInfoCom)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/coginfocom.2017.8268294\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2017 8th IEEE International Conference on Cognitive Infocommunications (CogInfoCom)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/coginfocom.2017.8268294","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Cognitive and spiritual revolution of the tenth century — Constantine porphyrogenitus and his hidden world: Part II. The Great Monarch's hidden world in the great medieval artistic works
The paper discusses, through a comparative hermeneutical microanalysis, identical and very similar representational (iconographic) and meaning systems of such great medieval art-works as the Limburg Staurotheke, Orthodox Metal Icons and the “Archangel enamel pictures” of the Holy Crown of St Stephen of Hungary. The basis of the comparison is the discussed hidden mystical writings of the Great Monarch in part I of the paper.