{"title":"也许,我们将受益于邻居的好运:土耳其集体、社区与对话展览","authors":"I. Egrikavuk","doi":"10.5117/9789463724913_ch03","DOIUrl":null,"url":null,"abstract":"Deriving from the Gezi Park protests, this chapter focuses on an art\n exhibition that took place in Istanbul in 2017, which was realized under\n the ‘Aesthetics of Protest’ project. Looking at past examples of community\n art practices, this exhibition proposes to think of collectivity as a form of\n resistance and frames how aesthetics of protest can be traced to artistic\n work in order to provide solidarity and empowerment. Working with\n different art and environmental collectives, the exhibition questions the\n idea of ‘neighbourhood’ and ‘neighbourliness’ and searches for ways of\n sustaining hope and solidarity through the aesthetic values of the Gezi\n Park protests and in an artistic practice. This chapter conceptualizes the\n process of the exhibition and its artistic research process.","PeriodicalId":207980,"journal":{"name":"The Aesthetics of Global Protest","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maybe, We Will Benefit from Our Neighbour’s Good Fortune : An Exhibition on Collectivity, Community, and Dialogue in Turkey\",\"authors\":\"I. Egrikavuk\",\"doi\":\"10.5117/9789463724913_ch03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Deriving from the Gezi Park protests, this chapter focuses on an art\\n exhibition that took place in Istanbul in 2017, which was realized under\\n the ‘Aesthetics of Protest’ project. Looking at past examples of community\\n art practices, this exhibition proposes to think of collectivity as a form of\\n resistance and frames how aesthetics of protest can be traced to artistic\\n work in order to provide solidarity and empowerment. Working with\\n different art and environmental collectives, the exhibition questions the\\n idea of ‘neighbourhood’ and ‘neighbourliness’ and searches for ways of\\n sustaining hope and solidarity through the aesthetic values of the Gezi\\n Park protests and in an artistic practice. This chapter conceptualizes the\\n process of the exhibition and its artistic research process.\",\"PeriodicalId\":207980,\"journal\":{\"name\":\"The Aesthetics of Global Protest\",\"volume\":\"11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Aesthetics of Global Protest\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789463724913_ch03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Aesthetics of Global Protest","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724913_ch03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Maybe, We Will Benefit from Our Neighbour’s Good Fortune : An Exhibition on Collectivity, Community, and Dialogue in Turkey
Deriving from the Gezi Park protests, this chapter focuses on an art
exhibition that took place in Istanbul in 2017, which was realized under
the ‘Aesthetics of Protest’ project. Looking at past examples of community
art practices, this exhibition proposes to think of collectivity as a form of
resistance and frames how aesthetics of protest can be traced to artistic
work in order to provide solidarity and empowerment. Working with
different art and environmental collectives, the exhibition questions the
idea of ‘neighbourhood’ and ‘neighbourliness’ and searches for ways of
sustaining hope and solidarity through the aesthetic values of the Gezi
Park protests and in an artistic practice. This chapter conceptualizes the
process of the exhibition and its artistic research process.