记住海地在法国和北美的革命

A. G. Sepinwall
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摘要

本章主要关注关于海地革命的纪录片、戏剧短片和动画短片。许多作品完全由非海地人创作,但也有一些与海地学者和艺术家合作。因为海地曾经是法国的殖民地,所以这些纪录片中有几部是法国电影人制作的。在分析这些电影时,本章强调了法国在处理奴隶制和种族主义历史方面的困难,以及使法国人比海地人更有能力在银幕上讲述海地历史的不平衡。本章还研究了来自美国的公共电视和众筹纪录片,如Égalité for All(2009)和1804:海地的隐藏历史(2017),来自白人和非洲裔美国导演。最后,这一章着眼于鲜为人知的关于革命的戏剧短片,以及动画电影,包括罗宾·劳埃德和多琳·克拉夫特1978年开创性的短片《黑色黎明》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Remembering Haiti’s Revolution in France and North America
The chapter focuses on documentaries, dramatic shorts, and animated shorts about the Haitian Revolution. Many were made entirely by non-Haitians, but some involved collaborations with Haitian scholars and artists. Because Haiti was once a colony of France, several of these documentaries come from French filmmakers. In analyzing these films, the chapter highlights French difficulties in grappling with their histories of slavery and racism, as well as imbalances that give the French greater power to recount Haiti’s history on screen than Haitians themselves. The chapter also examines public television and crowdfunded documentaries from the U.S., such as Égalité for All (2009) and 1804: The Hidden History of Haiti (2017), from white as well as African American directors. Finally, the chapter looks at lesser-known dramatic shorts on the Revolution, and at animated films, including Robin Lloyd and Doreen Kraft’s pioneering 1978 short Black Dawn.
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