通过芭蕾和AR进行生物识别的me++数据伦理博士研讨会

Genevieve Smith-Nunes, A. Shaw
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引用次数: 0

摘要

本次博士研讨会通过增强现实(AR)古典芭蕾体验的开发探索数据伦理和生物识别数据。本文主要关注两个方面:(i)运动捕捉和视频提取工具集的开发和使用。(ii)关于舞者对“身体作为数据人工制品”的理解和体验,以创建AR体验的动态图形(3D操纵)角色。问题:(1)人与虚拟的自我意识(身份)有区别吗?(2)分享你的个人生物特征数据让你有什么感觉?(3)如何在计算机教室和舞蹈工作室中使用生物识别和沉浸式开发工具来提高数据伦理意识?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doctoral Colloquium—ME++ Data Ethics of Biometrics Through Ballet and AR
This Doctoral Colloquium explores data ethics and biometric data through the development of an augmented reality (AR) classical ballet experience. This paper focuses on two areas: (i) The development and use of tool sets for motion capture and video extraction. (ii) On dancers’ understanding and experiences of the ‘body as a data artefact’ for the creation of motion graphic (3D rigged) characters of an AR experience. Questions: (1) Is there a difference in sense of self (identity) between the human and the virtual? (2) How does sharing your personal biometric data make you feel? (3) How can biometric and immersive development tools be used in the computing classroom and dance studios to raise awareness of data ethics?
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