在废墟中漫步

Stewart Mottram
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引用次数: 0

摘要

这一章探讨了斯宾塞对暴力改革的矛盾心理,以及它的毁灭,不仅是中世纪修道院,还有修道院手稿中圣徒的生活和传说。它对威廉·瓦兰的《两只天鹅的故事》(1590年)和斯宾塞的《时间的毁灭》(1591年)这两篇文章进行了比较分析,这两篇文章都是在1588年西班牙舰队袭击之后写成的,当时英国和西班牙在低地国家的战争正在进行。这一章展示了两位诗人如何利用对罗马维鲁拉米废墟的地理位置关注,作为他们对历史上英英英雄主义的爱国赞美的框架。然而,尽管这两首诗都用历史上的英雄主义例子来对抗1590年代初对当代入侵的焦虑,但这两首诗也揭示了英国历史本身是天主教和新教对过去的相互竞争的战场。每位诗人对圣阿尔班(Verulamium最著名的公民)生活的不同处理方式,突显了这些紧张关系。瓦兰遵循中世纪,修道院对奥尔本生活的描述,约翰·福克斯认为这是他解散后“修道院式的补充”,新教对奥尔本生活的重写在阿提斯和纪念碑中,这呼应了瓦兰对修道院历史和修道院废墟的兴趣在他的诗中其他地方。如果说圣奥尔本是《一个故事》中争议的焦点,那么在斯宾塞的诗中,他就是一个明显缺席的人物。尽管如此,这一章还是为阿尔班在《时间的废墟》中的影子存在进行了论证,指出斯宾塞迄今为止未被承认的对吉尔达斯六世纪的《论不列颠》和其他关于阿尔班的“修道院式”描述的亏欠。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wondering at Ruins
This chapter explores Spenser’s ambivalence towards the violence of reformation, and its ruination, not just of medieval monasteries, but the lives and legends of saints in monastic manuscripts. It offers a comparative analysis of two texts—William Vallans’s A Tale of Two Swannes (1590) and Spenser’s Ruines of Time (1591)—both written in the aftermath of the 1588 Spanish armada and with England’s war with Spain in the Low Countries ongoing. The chapter shows how both poets use a chorographical focus on the ruins of Roman Verulamium as a frame for their patriotic praise of Anglo-British heroism across history. Yet while both use historical examples of heroism to counter contemporary invasion anxieties in the early 1590s, both poems also reveal British history itself as a battleground between competing catholic and protestant versions of the past. These are tensions foregrounded by each poet’s respective approach to the life of St Alban, Verulamium’s most famous citizen. Vallans follows the medieval, monastic accounts of Alban’s life that are dismissed by John Foxe as ‘Abbeylike additions’ in his post-dissolution, protestant rewriting of Alban’s life in Actes and monuments, and this echoes Vallans’s interest in monastic history and monastic ruins elsewhere in his poem. If St Alban is the site of controversy in A Tale, he is a figure conspicuously absent from Spenser’s poem. The chapter argues for Alban’s shadowy presence in The Ruines of Time nonetheless, pointing to Spenser’s hitherto unacknowledged indebtedness to Gildas’s sixth-century De excidio Britonum and other ‘Abbeylike’ accounts of Alban.
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