{"title":"敦煌莫高窟壁画《摩摩诘经》的独特性与表现形式——以唐初220窟为例","authors":"Hong Long, Qian Huang","doi":"10.21004/ISSN.1003-840X.2016.06.182","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":447898,"journal":{"name":"Ethnic Art Studies","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Distinctiveness and the Form of Expression of Vimalakirti Sutra of Mogao Grotto Frescoes at Dunhuang: A Case Study of 220th Cave in the Early Period of Tang Dynasty\",\"authors\":\"Hong Long, Qian Huang\",\"doi\":\"10.21004/ISSN.1003-840X.2016.06.182\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":447898,\"journal\":{\"name\":\"Ethnic Art Studies\",\"volume\":\"48 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-12-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ethnic Art Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21004/ISSN.1003-840X.2016.06.182\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ethnic Art Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21004/ISSN.1003-840X.2016.06.182","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Distinctiveness and the Form of Expression of Vimalakirti Sutra of Mogao Grotto Frescoes at Dunhuang: A Case Study of 220th Cave in the Early Period of Tang Dynasty