岩石剖面:通过对陆地/水流体边缘的深层野外工作进行翻译,对现场过程进行剖面分析

Gini Lee, L. Diedrich
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引用次数: 0

摘要

Rocksect扩展了一项合作景观建筑研究,旨在通过深入的基于实地工作的经验调查和解释,开发一种捕捉场地品质的方法。作者认为这种方法是概念设计行为的关键组成部分。他们的旅程被称为“旅行样带”,并孕育了一种概念,既传达了科学的观点——样带,也传达了一种跨越时间和地点的更短暂的运动状态——旅行。它的理论基础依赖于对亚历山大·冯·洪堡的跨区域和流动实证科学的重新诠释。在过去的几年里,作者在欧洲和澳大利亚进行了几次旅行样带,这使得研究问题的形成既能提高他们的方法框架,又能揭示出需要进一步探索的地理和概念上的差距。Rocksect将他们2014年9月的横断面旅行的发现翻译到了澳大利亚的两个地点,悉尼和纽卡斯尔之间的岩石海岸,以及弗林德斯山脉Oratunga周围干旱的内陆。在这里,他们研究了可供人类使用的天然岩石池,作为人类在自然与文化之间的关键边缘进行干预的可能正在消失的例子。Rocksect描绘了自然和人类力量对这些岩石池进行持续改造的有形和无形的过程。它采用了一种跨区域的视角来观察表面的物质,以一种有序的档案或画面的形式来塑造一种既具有空间性又具有文本性的表现生态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rocksect: Profiling site processes through translation of deep fieldwork in the fluid margins of land/water
Rocksect expands a collaborative landscape architectural research that aims to develop a method for capturing site qualities through deep fieldwork-based empirical enquiry and interpretation. The authors regard this method as a critical component of the conceptual design act. Their journeys are termed ‘travelling transects’ and nurture a concept that conveys both a scientific regard – the transect – and a more ephemeral condition of movement across time and place – the travel. Its theoretical foundation relies on a reinterpretation of Alexander von Humboldt’s transareal and mobile empirical science. Over the past years the authors have conducted several travelling transects in Europe and Australia that have enabled formulation of research questions that both sharpen their methodological framework and reveal gaps to be further explored, geographically and conceptually. Rocksect translates the findings of their September 2014 transect travel to two Australian sites, the rocky coasts between Sydney and Newcastle, and the arid outback around Oratunga in the Flinders Ranges. Here, they studied natural rock pools, made accessible to humans, as perhaps disappearing examples of human intervention at the critical edge between nature and culture. Rocksect maps the tangible and intangible processes of the continuous remaking of these rock pools by natural and human forces. It takes a transareal perspective on surface materiality in order to fashion an ecology of representation that is both spatial and textual in the form of an ordered archive or tableau.
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