{"title":"去殖民化流行音乐","authors":"Holger Lund","doi":"10.56513/qgav8825-3","DOIUrl":null,"url":null,"abstract":"Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.","PeriodicalId":366435,"journal":{"name":"Norient - The Now in Sound","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Decolonizing Pop Music\",\"authors\":\"Holger Lund\",\"doi\":\"10.56513/qgav8825-3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.\",\"PeriodicalId\":366435,\"journal\":{\"name\":\"Norient - The Now in Sound\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Norient - The Now in Sound\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56513/qgav8825-3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Norient - The Now in Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56513/qgav8825-3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Colonialism isn’t over, it’s just less visible. As a curator of the Berlin-based label Global Pop First Wave, Holger Lund feels entangled in neo-colonial paradoxes. An essay about the westernization of pop music and why its decolonization is inevitable.
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