韩国电影《寄生虫》的空间叙事研究

Shuquan Zhan, Chao Liang
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引用次数: 0

摘要

韩国电影《寄生虫》在第92届奥斯卡颁奖典礼上获得最佳影片奖等4项大奖,创造了韩国电影史上的奇迹。本文分析了影片中三个家庭的物理空间的三层,揭示了其后现代的空间叙事结构。通过对“坡路”这一独特空间意象的解读,充分展现了金氏家族社会地位的起落,以及他们心灵历程的希望与绝望。通过重构社会底层人民之间的残酷斗争和对上层社会的感激,揭示了底层人民的集体无意识,揭示了他们的困境的深层根源,揭示了他们的斗争和反抗必然失去焦点的事实。影片在比较不同社会阶层的生存空间,呈现下层阶级在不同空间之间的徒劳斗争的基础上,批判了韩国贫富分化严重的社会现实,试图引起社会对下层阶级生存状况的深刻关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study of Spatial Narrative in the South Korean Movie “Parasite”
The South Korean movie "Parasite" won four awards in the 92nd Oscars, including the best film award, creating a miracle in the history of South Korean movies. This paper analyzes three layers of the physical space of three families in the film, revealing its postmodern spacial narrative structure. Through interpretation of the unique spatial image of "slope road", the paper fully demonstrates the rise and fall of Kim family's social status, and hope and despair of their mental journey. Through reconstructing the cruel struggle between people at the bottom of the society and their gratitude to the upper class, the paper exposes the collective unconsciousness of the lower class to the deep root of their plight and the fact that their struggle and resistance will inevitably lose the focus. On the basis of comparing the living space of different social strata and presenting the futile struggle of the lower class among different spaces, the film criticizes the social reality of the serious polarization between the rich and the poor in South Korea, and tries to arouse the profound concern of the society for the living conditions of the lower class.
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