普什图妇女诗歌导论

Ahmad Gul Momand & Fahim Rahimi
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引用次数: 0

摘要

人类的许多情感都是通过诗歌和其他文学形式来表达的,但当涉及到普什图社会中的女性时,我们就失去了发言权。阿夫扎尔·拉扎认为,普什图妇女不可能说出她们的痛苦和不幸或任何其他感受(拉扎)。由于女性在普什图社会中写诗可能会受到迫害,因此许多民间诗歌都是由女性匿名发表的。最近,《纽约时报》报道了几名年轻女孩在家里对着调频收音机朗诵诗歌被发现后自焚的事件(格里斯沃尔德)。读到女性因诗歌而伤亡的故事,Raza说的没错,Tapa或landday(一种双诗)是一种主要由女性创作的古老诗歌形式,虽然作者不详,但有女性说话者,让我们理解。研究普什图妇女和她们的诗歌Tapa或Landay是开始(Raza)的主要来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction to Pashtun Women’s Poetry
Much of human emotions are expressed via poetry and other literary genres but when it comes to women in Pashtun society we lose their voices. Afzal Raza believes it is impossible for Pashtun women to speak about their pain and misery or any other feelings (Raza). As women could be persecuted for writing poetry in Pashtun society thus much of the folklore poetry came to existence by female speakers anonymously. Recently, New York Times reported about several young girls set themselves on fire after they were caught reciting poetry to an FM radio from home (Griswold). Reading about women casualties for their poetry, Raza shall be true saying that Tapa or Landay (a two-verse poetry) is the ancient form of poems mostly created by women that still exist as its writer is unknown but has its female speaker for us to understand it. To study Pashtun women and their poetry Tapa or Landay is the primary source to begin (Raza).
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