{"title":"歌德的有声书:印刷文化与文学口头问题","authors":"M. Dupree","doi":"10.1353/gyr.2021.0018","DOIUrl":null,"url":null,"abstract":"over the Past tWo decades, there has been an upswing in scholarship on literary orality in the long eighteenth century, focusing in particular on the recitation and declamation of poetry. Much of this research takes as its starting point the reassessment of the “ear” and a related concern with the “tones” of language in Herder and Klopstock’s poetics. In an analysis of Klopstock’s 1774 Gelehrtenrepublik (The Republic of Letters), Karl-Heinz Göttert summarizes this shift:","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Goethe's Talking Books: Print Culture and the Problem of Literary Orality\",\"authors\":\"M. Dupree\",\"doi\":\"10.1353/gyr.2021.0018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"over the Past tWo decades, there has been an upswing in scholarship on literary orality in the long eighteenth century, focusing in particular on the recitation and declamation of poetry. Much of this research takes as its starting point the reassessment of the “ear” and a related concern with the “tones” of language in Herder and Klopstock’s poetics. In an analysis of Klopstock’s 1774 Gelehrtenrepublik (The Republic of Letters), Karl-Heinz Göttert summarizes this shift:\",\"PeriodicalId\":385309,\"journal\":{\"name\":\"Goethe Yearbook\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Goethe Yearbook\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/gyr.2021.0018\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Goethe Yearbook","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/gyr.2021.0018","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Goethe's Talking Books: Print Culture and the Problem of Literary Orality
over the Past tWo decades, there has been an upswing in scholarship on literary orality in the long eighteenth century, focusing in particular on the recitation and declamation of poetry. Much of this research takes as its starting point the reassessment of the “ear” and a related concern with the “tones” of language in Herder and Klopstock’s poetics. In an analysis of Klopstock’s 1774 Gelehrtenrepublik (The Republic of Letters), Karl-Heinz Göttert summarizes this shift: