歌德的有声书:印刷文化与文学口头问题

M. Dupree
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摘要

在过去的二十年里,在漫长的十八世纪,文学口头的学术研究有了一个上升,特别关注诗歌的背诵和朗诵。这项研究的出发点大多是对赫尔德和克洛普斯托克诗学中“耳朵”的重新评估,以及对语言“音调”的相关关注。在对克洛普斯托克1774年的《文学共和国》的分析中,卡尔-海因茨Göttert总结了这一转变:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Goethe's Talking Books: Print Culture and the Problem of Literary Orality
over the Past tWo decades, there has been an upswing in scholarship on literary orality in the long eighteenth century, focusing in particular on the recitation and declamation of poetry. Much of this research takes as its starting point the reassessment of the “ear” and a related concern with the “tones” of language in Herder and Klopstock’s poetics. In an analysis of Klopstock’s 1774 Gelehrtenrepublik (The Republic of Letters), Karl-Heinz Göttert summarizes this shift:
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