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引用次数: 0
摘要
本文分析了西班牙内战期间米格尔·埃尔南德斯的诗歌《Rosario, dinamitera》(1937)和玛丽亚·特蕾莎·莱昂的小说《Contra viento y marea》(1941)中民兵(民兵妇女)形象的建构。两种文学文本都收集了与民兵妇女的复杂形象有关的不同刻板印象。这首诗和这部小说以不同的方式展现了共和阵线内部二元女性/战斗所产生的矛盾。埃尔南德斯的诗呈现了一种对民兵的神话般的看法，而莱昂的小说则表现出对女性战斗合法性的怀疑。
Representaciones de milicianas en «Rosario, dinamitera» de Miguel Hernández y en contra viento y marea de maría teresa león. Bajo el mito y la sospecha
This work analyzes the construction of the figure of the miliciana (the militia woman) during the Spanish Civil War in the poem «Rosario, dinamitera» (1937) written by Miguel Hernandez and in the novel Contra viento y marea (1941) written by Maria Teresa Leon. Both literary texts gather different stereotypes related to the complex figure of the militia woman. In different ways, the poem and the novel show the contradictions generated by the binomial woman/fight within the Republican front. Hernandez’ poem presents a mythical view of the miliciana, whereas Leon’s novel shows suspicion on the legitimacy of feminine militancy.
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