印尼对数字平台上歌曲商业化和音乐版权的法律保护

Diana Silfiani
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引用次数: 1

摘要

新冠肺炎疫情加速了数字对印尼音乐产业的影响。通常在人群中线下举行的音乐会已经不可能了,因为人群可能会形成新的聚集性。印尼音乐产业需要替代方案才能在疫情中生存下来,而技术进步有解决办法。通过数字平台播放的虚拟音乐会开始蓬勃发展。他们使用受版权保护的歌曲和/或音乐,以便根据使用类型和需求支付版税。不幸的是,2014年第28号版权法和2021年第56号关于歌曲和/或音乐版权使用费管理的政府法规没有详细和具体地规范使用。因此,行业行动者尚未找到合适的经济权利版税支付公式。法规的缺失当然不会减少用户获得词曲作者许可并为歌曲和/或音乐版权支付版税的主要义务。履行支付特许权使用费的义务仍然必须适当考虑适用的规定。本研究以规范的司法方法考察了这些问题。它考虑了适用于印度尼西亚的惯例和习俗。它还产生了相关利益攸关方的一些观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Indonesian Legal Protection for Song Commercialization and Music Copyrights in Digital Platforms
The Covid-19 pandemic has accelerated the digital influence on the Indonesian music industry. Music concerts, which are usually held offline with crowds of people, are no longer possible because crowds can make new clusters of Covid-19. The Indonesian music industry needs alternatives to survive the pandemic, and the advance in technology has the solution. Virtual concerts that are broadcasted via digital platforms have started to thrive. They use copyrighted songs and/or music so that royalty payments are made in accordance with the type of use and needs. Unfortunately, the Law Number 28 of 2014 on Copyright and the Government Regulation Number 56 of 2021 on the Management of Song and/or Music Copyright Royalties do not regulate the use in detail and specific manners. Therefore, the industry actors have not found the right payment formula for the economic rights royalties. The absence of regulations certainly does not reduce the user’s primary obligation to obtain a songwriter's permission and pay royalties for song and/or music copyrights. The fulfillment of the obligation to pay royalties must still be accomplished with due regard to applicable provisions. This study examined the problems with a normative juridical method. It considered the practices and customs that apply in Indonesia. It also generated some perspectives from relevant stakeholders.
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