{"title":"从克里奥尔综合到种族现代性","authors":"Christopher N. Matthews","doi":"10.2307/j.ctv16qjx2s.11","DOIUrl":null,"url":null,"abstract":"Chapter 3 examines the history of people of color on Long Island. It argues that race relations worsened through time shifting from a time of an intercultural creole synthesis to a more alienating time of racial modernity. The chapter consists of three parallel studies that illustrate this transformation: a study of the artwork of William Sidney Mount, a study of the representation of people of color in Long Island newspapers, and a study of residential racial segregation in the Town of Brookhaven.","PeriodicalId":145491,"journal":{"name":"A Struggle for Heritage","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Creole Synthesis to Racial Modernity\",\"authors\":\"Christopher N. Matthews\",\"doi\":\"10.2307/j.ctv16qjx2s.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 3 examines the history of people of color on Long Island. It argues that race relations worsened through time shifting from a time of an intercultural creole synthesis to a more alienating time of racial modernity. The chapter consists of three parallel studies that illustrate this transformation: a study of the artwork of William Sidney Mount, a study of the representation of people of color in Long Island newspapers, and a study of residential racial segregation in the Town of Brookhaven.\",\"PeriodicalId\":145491,\"journal\":{\"name\":\"A Struggle for Heritage\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Struggle for Heritage\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv16qjx2s.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Struggle for Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv16qjx2s.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Chapter 3 examines the history of people of color on Long Island. It argues that race relations worsened through time shifting from a time of an intercultural creole synthesis to a more alienating time of racial modernity. The chapter consists of three parallel studies that illustrate this transformation: a study of the artwork of William Sidney Mount, a study of the representation of people of color in Long Island newspapers, and a study of residential racial segregation in the Town of Brookhaven.