{"title":"2. 从下面看城市历史","authors":"M. Marinelli","doi":"10.1515/9789048532131-004","DOIUrl":null,"url":null,"abstract":"This chapter focuses on the artworks produced by three contemporary Chinese artists: Zhang Dali, Dai Guangyu and Jin Feng. Their subject matter involves common people, and it engages with three crucial discursive formations: violence, socioeconomic inequality, and utopian dreams. These three artists contribute to creating a 'history from below' whose focus is Chinese ordinary people.","PeriodicalId":347773,"journal":{"name":"Visual Arts, Representations and Interventions in Contemporary China","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"2. Urban History from Below\",\"authors\":\"M. Marinelli\",\"doi\":\"10.1515/9789048532131-004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter focuses on the artworks produced by three contemporary Chinese artists: Zhang Dali, Dai Guangyu and Jin Feng. Their subject matter involves common people, and it engages with three crucial discursive formations: violence, socioeconomic inequality, and utopian dreams. These three artists contribute to creating a 'history from below' whose focus is Chinese ordinary people.\",\"PeriodicalId\":347773,\"journal\":{\"name\":\"Visual Arts, Representations and Interventions in Contemporary China\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Arts, Representations and Interventions in Contemporary China\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9789048532131-004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Arts, Representations and Interventions in Contemporary China","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9789048532131-004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter focuses on the artworks produced by three contemporary Chinese artists: Zhang Dali, Dai Guangyu and Jin Feng. Their subject matter involves common people, and it engages with three crucial discursive formations: violence, socioeconomic inequality, and utopian dreams. These three artists contribute to creating a 'history from below' whose focus is Chinese ordinary people.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
