音乐创作的区域:和声系列结构——从图像表现到一种教学方法

Alina Abraham
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引用次数: 1

摘要

自然界中任何有音调的声音,都有一个内部结构,显示出一系列以不同频率振动的谐波或偏频。由于这些频率的数学基础,音高可以用笛卡尔(对数)螺旋设计可视化[16]。因此,数学和音乐的语言可以是形象化的,因此音乐的元素——例如,音程、节奏和和声结构,这些都起源于和声系列(THS),可以与螺旋形和圆形设计相匹配。本文讨论了这种可视化,从初步的发现表明,音乐的图像表示是有益的:1 .解释音乐作品的形式;促进学生对音乐创作过程的理解;加强音乐表演的记忆,四。将这种视觉化发展成为音乐教学和音乐表演指导的一种方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Zone of Musical Creativity: Harmonic Series Structures - From Pictorial Representation to a Method of Teaching
For any pitched sound in nature, there is an inner structure of that sound displaying a series of harmonics, or partials, that vibrate with different frequencies. Due to the mathematical underpinnings of those frequencies, the pitched sound may be visualized with a Cartesian (logarithmic) spiral design [16]. The language of mathematics and music can therefore be pictorial, and so the elements of music - e.g., intervals, rhythmic and harmonic structures, these originate in the harmonic series (THS), and can be matched against spiral and circle designs. This paper discusses such visualizations suggesting from preliminary findings that pictorial representations of music are beneficial to: I. Explain the form in a musical piece, II. Facilitate students' understanding of compositional processes in music, III. Enhance memorization in music performance, IV. Develop such visualizations into a method of teaching in music and coaching for music performance. Narrative enquiry is the framework for an envisaged qualitative study [5], [23] which engages creativity and visualization in music performance, teaching, learning, coaching, music composition and analysis.
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