{"title":"女王的音乐世界","authors":"Nick Braae","doi":"10.1093/oso/9780197526736.003.0008","DOIUrl":null,"url":null,"abstract":"This chapter begins from the premise that’s Queen idiolect or ‘sound’ was distinct in popular music. Using the concept of ‘style planets’, the idiolect characteristics are connected to numerous and varied stylistic sources including 1970s hard rock, 1970s Baroque pop, 1960s pop, soul, and pre-WWII American popular song. These influences are identified in the textural structures, performance gestures, and harmonic choices. Using the concept of ‘musical worlding’, it is suggested that a hypothetical listener might regard Queen’s idiolect as predominantly placed within the world of hard rock, but made to sound distinct and unique because of the integration of seemingly incongruous style influences within their songs. This analysis is conducted with primary reference to ‘We Are the Champions’","PeriodicalId":410569,"journal":{"name":"Rock and Rhapsodies","volume":"91 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Musical World(s) of Queen\",\"authors\":\"Nick Braae\",\"doi\":\"10.1093/oso/9780197526736.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter begins from the premise that’s Queen idiolect or ‘sound’ was distinct in popular music. Using the concept of ‘style planets’, the idiolect characteristics are connected to numerous and varied stylistic sources including 1970s hard rock, 1970s Baroque pop, 1960s pop, soul, and pre-WWII American popular song. These influences are identified in the textural structures, performance gestures, and harmonic choices. Using the concept of ‘musical worlding’, it is suggested that a hypothetical listener might regard Queen’s idiolect as predominantly placed within the world of hard rock, but made to sound distinct and unique because of the integration of seemingly incongruous style influences within their songs. This analysis is conducted with primary reference to ‘We Are the Champions’\",\"PeriodicalId\":410569,\"journal\":{\"name\":\"Rock and Rhapsodies\",\"volume\":\"91 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rock and Rhapsodies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197526736.003.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rock and Rhapsodies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197526736.003.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter begins from the premise that’s Queen idiolect or ‘sound’ was distinct in popular music. Using the concept of ‘style planets’, the idiolect characteristics are connected to numerous and varied stylistic sources including 1970s hard rock, 1970s Baroque pop, 1960s pop, soul, and pre-WWII American popular song. These influences are identified in the textural structures, performance gestures, and harmonic choices. Using the concept of ‘musical worlding’, it is suggested that a hypothetical listener might regard Queen’s idiolect as predominantly placed within the world of hard rock, but made to sound distinct and unique because of the integration of seemingly incongruous style influences within their songs. This analysis is conducted with primary reference to ‘We Are the Champions’
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