女性主体性的社会恐惧与迪士尼的百合

Ken Rahmalia Masjhur, Inditian Latifa
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引用次数: 0

摘要

现存的关于迪士尼女反派的学术论述经常断言这些虚构女性的非女性身份。迪斯尼童话中的女主人公通常被认为表现出过于男性化的特质。在本文中,主体性一词被用来作为一个人实现自我主导的目标和生活方式的机构的意识和主张,是男权社会认为是男子气概指标的一种属性。然而,这种主观性在每一个迪士尼女反派身上都可以观察到。本文专门研究了迪斯尼动画电影《灰姑娘》(1950)和《白雪公主和七个小矮人》(1937),并将其与莉莉丝神话的叙述进行了比较。在此过程中,本文认为主体性的品质一直与女性气质相关联;然而,这种自我的主张仍然被认为不适合女性。就像莉莉丝一样,迪士尼的女性角色表现出强烈的主体性,但往往是为了肯定自己的个性而不是被动地接受命运的沧桑而被诋毁。围绕《灰姑娘》和《白雪公主》这两位女性对手的叙事似乎强化了一种规范的父权观念,即主观的女性无法处理与她们的主体地位相关的责任。关键词:迪士尼,反派,主体性,莉莉丝。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Social Fear of Female Subjectivity and Disney’s Liliths
The extant scholarly discourse on female Disney villains has often asserted the non-feminine identities of these fictional women. The female antagonists of the Disney fairy tales are generally assumed to display qualities that are believed to be too masculine. The term subjectivity is utilized in this paper as the awareness and assertion of one’s agency to achieve self-led goals and lifestyles and is an attribute that is deemed by patriarchal societies to be the indicator of masculinity. However, this subjectivity is observable in each of the female Disney villains. This paper specifically examines the animated Disney movies Cinderella (1950) and Snow White and the Seven Dwarfs (1937) and compares the narratives pertaining to their antagonists with the myth of Lilith. In so doing, the paper argues that the quality of subjectivity has always been associated with femininity; however, this assertion of the self is still not considered appropriate for women. Just like Lilith, Disney’s female characters display a strong sense of subjectivity but are often vilified for the affirmation of their individuality instead of being passive recipients of the vicissitudes of fate. The narratives surrounding the female antagonists of Cinderella and Snow White seem to reinforce the normative patriarchal idea that subjective females are incapable of handling the responsibilities connected to their subject status. Keywords—Disney, villains, subjectivity, Lilith.
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