{"title":"沿着马德拉和马莫雷河的现代(ista)出口路线遗迹","authors":"A. Smith","doi":"10.2307/j.ctv1nzg2nf.10","DOIUrl":null,"url":null,"abstract":"This chapter delves deeper into the topic of literary extractivism by examining a novel that focuses on a place where the extraction of rubber and the extraction of material for literary inspiration overlap. Márcio Souza’s Mad Maria (1980) is a historical novel about the construction of the Estrada de Ferro Madeira-Mamoré, a railroad meant to link the Bolivian rubber industry to an Atlantic trade route. The insertion of Brazilian modernista Mário de Andrade at the end of the novel presents a surprising juxtaposition of the infrastructure project and Brazilian modernism. Chapter 5 suggests that both the literary and industrial instrumentalization of Amazonia can produce easily overlooked waste that nonetheless has lasting implications.","PeriodicalId":179287,"journal":{"name":"Mapping the Amazon","volume":"110 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Remains of Modern(ista) Export Routes along the Madeira and the Mamoré\",\"authors\":\"A. Smith\",\"doi\":\"10.2307/j.ctv1nzg2nf.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter delves deeper into the topic of literary extractivism by examining a novel that focuses on a place where the extraction of rubber and the extraction of material for literary inspiration overlap. Márcio Souza’s Mad Maria (1980) is a historical novel about the construction of the Estrada de Ferro Madeira-Mamoré, a railroad meant to link the Bolivian rubber industry to an Atlantic trade route. The insertion of Brazilian modernista Mário de Andrade at the end of the novel presents a surprising juxtaposition of the infrastructure project and Brazilian modernism. Chapter 5 suggests that both the literary and industrial instrumentalization of Amazonia can produce easily overlooked waste that nonetheless has lasting implications.\",\"PeriodicalId\":179287,\"journal\":{\"name\":\"Mapping the Amazon\",\"volume\":\"110 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mapping the Amazon\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1nzg2nf.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mapping the Amazon","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1nzg2nf.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本章通过考察一部小说,更深入地探讨了文学提取主义的主题,这部小说关注的是橡胶的提取和文学灵感的材料的提取重叠的地方。Márcio Souza的《疯狂的玛丽亚》(Mad Maria, 1980)是一部历史小说,讲述了马德拉铁路(Estrada de Ferro madeira - mamor)的建设,这条铁路旨在将玻利维亚橡胶工业与大西洋贸易路线连接起来。巴西现代主义者Mário de Andrade在小说结尾的插入呈现了基础设施项目和巴西现代主义的惊人并置。第五章表明,亚马逊的文学和工业工具化都可能产生容易被忽视的浪费,尽管如此,这些浪费具有持久的影响。
The Remains of Modern(ista) Export Routes along the Madeira and the Mamoré
This chapter delves deeper into the topic of literary extractivism by examining a novel that focuses on a place where the extraction of rubber and the extraction of material for literary inspiration overlap. Márcio Souza’s Mad Maria (1980) is a historical novel about the construction of the Estrada de Ferro Madeira-Mamoré, a railroad meant to link the Bolivian rubber industry to an Atlantic trade route. The insertion of Brazilian modernista Mário de Andrade at the end of the novel presents a surprising juxtaposition of the infrastructure project and Brazilian modernism. Chapter 5 suggests that both the literary and industrial instrumentalization of Amazonia can produce easily overlooked waste that nonetheless has lasting implications.