现代日本的设计与社会:导论(附Tsuji Yasutaka和Kikkawa Hideaki的参考书目)

Ignacio Adriasola, S. Teasley, Jilly Traganou
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引用次数: 1

摘要

同行评议期刊《日本文化与社会评论》特刊导言。引言部分借鉴了三位合著者在现代艺术史(Adriasola)、设计社会史(Teasley)和空间设计研究(Traganou)方面的专业知识和知识,提出了研究1900-2015年日本设计与社会关系的研究问题、挑战和机遇,既着眼于历史,也着眼于当代实践。本导论旨在向日本的历史学家和其他艺术、人文和社会科学学者介绍当前设计作为社会实践的概念,并展示将社会空间和网络视为“设计”的观点,以及将设计、建筑实践和产品视为有效的、有价值的历史条件示例的观点,如何使人文学者更有效地参与到现当代日本文化和社会的研究中。介绍还提供了一个关键的历史发展和条件,设计作为一个行业,专业和产品在日本,约1900年至今的概述。最后,它向从事日本设计的学者提出挑战,要求他们解决有关性别、阶级和其他权力关系决定因素的问题,并将设计理解为一种扩展的实践,超越日本研究中持续存在的过时、不准确和有限的设计观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design and Society in Modern Japan: An Introduction (with a Bibliography by Tsuji Yasutaka and Kikkawa Hideaki)
Introduction to a special issue of the peer-reviewed journal Review of Japanese Culture and Society. The introduction, which draws on the expertise and knowledge of the three co-authors in modern art history (Adriasola), social history of design (Teasley) and spatial design studies (Traganou), sets out research questions, challenges and opportunities for studying the relationship between design and society in Japan, 1900-2015, looking both historically and at contemporary practice. The introduction intends to introduce current concepts of design as social practice to historians and other arts, humanities and social science scholars of Japan, and to demonstrate how a perspective that sees social spaces and networks as 'designed', and that views design and architecture practice and products as valid, valuable examples of historical conditions, can enable humanities scholars to engage more effectively with research into modern and contemporary Japanese culture and society. The introduction also offers an overview of key historical developments and conditions for design as an industry, profession and product in Japan, c. 1900-present day. It ends by challenging scholars who engage with design in Japan to address questions around gender, class and other determinants of power relations, and to understand design as an expanded practice, beyond the outdated, inaccurate and limiting view of design that persists within Japanese studies.
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