卡雷尔国王和莫尼纳博的黑人恐怖分子:后殖民时期历史的重写

Meriem Zeharaoui
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摘要

非洲大陆的历史演变并不顺利;该地区经历了许多动荡,包括奴隶制和殖民主义这两大创伤。因此,主要受周围世界启发的非洲作家在写小说时重温历史也就不足为奇了。其中包括几内亚作家提尔诺·蒙纳姆博。作者更准确地揭示了震撼西非大陆的历史。他的小说把近乎痴迷的关注转化为叙述非洲大陆的故事。我们建议研究他的两部小说:《卡赫尔之王》(2008)和《黑色恐怖分子》(2012)。在这些小说中,作者提供了一种不同的殖民记忆解读,摆脱了长期存在的白人和黑人之间的摩尼教。桑德尔瓦尔子爵(Viscount Sanderval)出于一种真诚的愿望,想要“教化”黑人,但同时又想在富塔-贾隆(Fouta-Djalon)地区“征服一个王国”,或者是在第二次世界大战期间进入法国的年轻塞内加尔炮手阿迪·贝斯(Addi b),通过这部浪漫化的传记,读者被邀请深入到一段混乱的过去,发现法非政治的所有复杂性。我们的目的是通过研究monsamerval和Addi b这两位历史人物在monsamernembo小说中的文学手法和表现,来展示monsamernembo小说中的历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LE ROI DE KAHEL ET LE TERRORISTE NOIR DE MONENEMBO: UNE REECRITURE POSTCOLONIALE DE L’HISTOIRE
The historical evolution of the African continent was not smooth; the region experienced many upheavals including two powerful traumas that are slavery and colonialism. It is therefore not surprising that African writers, who are mainly inspired by the world around them, revisit History to write their novels. Among them, the Guinean writer Tierno Monénembo. The writer sheds the light on the history that has painfully shaken his continent, West Africa more precisely. His novels translate the almost obsessive concern to narrate the story of the African continent. We propose to study two of his novels: The king of Kahel (2008) and The black terrorist (2012). In these novels, the author offers a different reading of colonial memory, moving away from the long-standing Manichaeism between white and black. Through the romanticized biography of Viscount Sanderval driven by a sincere desire to "civilize" the negroes but at the same time to "conquer a kingdom" in the region of Fouta-Djalon-, or that of Addi Bâ, a young Senegalese gunner who will enter, during the Second World War, in France, the reader is invited to dive into a troubled past and discover all the complexity of Franco-African politics. Our purpose is to show the way History fits in the novels of Monénembo, by studying literary devices in the novels as well as the representation of two historical figures: Sanderval and Addi Bâ.
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