{"title":"“装腔作势者的完美电影。","authors":"Martha-Lotta Körber","doi":"10.59056/kbzf.2023.17.p93-106","DOIUrl":null,"url":null,"abstract":"The article deals with the aesthetics and critical fan reception of the Black Metal biopic lords of chaos (GB/SE 2018, Jonas Åkerlund) along the dimension of its ›authenticity‹. In the film itself and in paratextual discourses in the form of exemplary YouTube comments, divergent concepts of authenticity are demonstrated and the difficulty (up to the point of impossibility) discussed to satisfy a normative and identity-creating idea of ›trueness‹ for Black Metal fans cinematically. The aim is to demonstrate the importance of reception for the film, which challenges the notion of an ideal-typical reader.","PeriodicalId":446915,"journal":{"name":"Kieler Beiträge zur Filmmusikforschung","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"»The perfect film for posers.«\",\"authors\":\"Martha-Lotta Körber\",\"doi\":\"10.59056/kbzf.2023.17.p93-106\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article deals with the aesthetics and critical fan reception of the Black Metal biopic lords of chaos (GB/SE 2018, Jonas Åkerlund) along the dimension of its ›authenticity‹. In the film itself and in paratextual discourses in the form of exemplary YouTube comments, divergent concepts of authenticity are demonstrated and the difficulty (up to the point of impossibility) discussed to satisfy a normative and identity-creating idea of ›trueness‹ for Black Metal fans cinematically. The aim is to demonstrate the importance of reception for the film, which challenges the notion of an ideal-typical reader.\",\"PeriodicalId\":446915,\"journal\":{\"name\":\"Kieler Beiträge zur Filmmusikforschung\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kieler Beiträge zur Filmmusikforschung\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.59056/kbzf.2023.17.p93-106\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kieler Beiträge zur Filmmusikforschung","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59056/kbzf.2023.17.p93-106","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文从“真实性”的维度探讨黑金属传记片《混沌之王》(GB/SE 2018, Jonas Åkerlund)的美学和批判性粉丝接受。在电影本身和以YouTube评论为范例的双文本话语中，真实性的不同概念被展示出来，并讨论了在电影中满足黑金属粉丝的规范性和身份创造观念的难度(达到不可能的程度)。目的是为了证明接受电影的重要性，它挑战了理想典型读者的概念。
The article deals with the aesthetics and critical fan reception of the Black Metal biopic lords of chaos (GB/SE 2018, Jonas Åkerlund) along the dimension of its ›authenticity‹. In the film itself and in paratextual discourses in the form of exemplary YouTube comments, divergent concepts of authenticity are demonstrated and the difficulty (up to the point of impossibility) discussed to satisfy a normative and identity-creating idea of ›trueness‹ for Black Metal fans cinematically. The aim is to demonstrate the importance of reception for the film, which challenges the notion of an ideal-typical reader.
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