从打破传统到博物馆:墨索里尼在罗马的别墅作为独裁遗产

Flaminia Bartolini
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引用次数: 1

摘要

在过去的几年里,公众对意大利法西斯物质遗产的态度一直是学术界激烈辩论的中心,现在已经发展到涉及新闻界和社交媒体。这篇文章将特别关注这是如何反映在一个博物馆的遗址,曾经是墨索里尼在罗马的住所。本文的基本问题是,博物馆作为遗产遗址在重新谈判有问题的过去中扮演什么角色,以及它们是否也可以在支持或挑战官方叙述方面发挥积极作用。由于遗产是通过当前环境构建和定义的,因此这个特殊博物馆的叙述揭示了国家叙事所反映的冲突的过去。论文还质疑了公众对该遗址的看法是否随着时间的推移而改变,并考虑了最近向博物馆的转变如何标志着战后解释的转变,这可能反映或不反映高层政治议程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Iconoclasm to Museum: Mussolini’s Villa in Rome as a Dictatorial Heritage Site
In the last couple of years, public attitudes towards Fascist material legacies in Italy have been at the centre of a heated debate in the academic world, which has by now grown to involve the press and social media. This paper will look specifically at how this is reflected in a museum display at a heritage site that was once Mussolini’s residence in Rome. The underlying question of this paper is what role museums as heritage sites play in the renegotiation of a problematic past, and whether they can also have an active role in either supporting or challenging the official narrative. As heritage is socially constructed and defined through present circumstances, the narratives of this particular museum reveal a conflicting past as mirrored by the national narrative. The paper also questions whether public perception of this site has changed over time and considers how the recent transformation into a museum signifies a shift from the post-war interpretation, which may or may not reflect a high-level political agenda.
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