{"title":"古代唱诗班书中乐谱的视觉同步","authors":"A. Celentano, Luigi Collarile","doi":"10.1145/2909132.2926077","DOIUrl":null,"url":null,"abstract":"This paper explores some techniques for visually synchronizing the music notation in ancient choir-books in which, differently from modern music scores, the different voices are independently placed in the four quadrants of an open volume large page. We propose three visual techniques to show the synchronization between the different voices in comparison with a modern music notation.","PeriodicalId":250565,"journal":{"name":"Proceedings of the International Working Conference on Advanced Visual Interfaces","volume":"72 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visual Synchronization of Music Notation in Ancient Choir-Books\",\"authors\":\"A. Celentano, Luigi Collarile\",\"doi\":\"10.1145/2909132.2926077\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores some techniques for visually synchronizing the music notation in ancient choir-books in which, differently from modern music scores, the different voices are independently placed in the four quadrants of an open volume large page. We propose three visual techniques to show the synchronization between the different voices in comparison with a modern music notation.\",\"PeriodicalId\":250565,\"journal\":{\"name\":\"Proceedings of the International Working Conference on Advanced Visual Interfaces\",\"volume\":\"72 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-06-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the International Working Conference on Advanced Visual Interfaces\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2909132.2926077\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the International Working Conference on Advanced Visual Interfaces","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2909132.2926077","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Visual Synchronization of Music Notation in Ancient Choir-Books
This paper explores some techniques for visually synchronizing the music notation in ancient choir-books in which, differently from modern music scores, the different voices are independently placed in the four quadrants of an open volume large page. We propose three visual techniques to show the synchronization between the different voices in comparison with a modern music notation.