英国教堂纪念碑上罗马军事服饰的发展

Clive J Easter
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引用次数: 0

摘要

本文研究了十七世纪和十八世纪英国教堂纪念碑上罗马军事服装刻画的发展。这种服装的使用源于更广泛的欧洲文艺复兴时期,其影响从16世纪初就在英国感受到。伊丽莎白一世晚期和詹姆士一世早期的文学作品采用了各种各样的古典参考,其高潮是为詹姆士一世和卡罗琳宫廷表演的假面戏,这些假面戏是古典思想和理想的最终表达。17世纪早期,人们尝试将罗马的军事服装用于纪念雕塑,但直到复辟后时期,这种服装才在社会精英的纪念碑上变得司空见惯。这种服装的政治意义以及相应的道德和公民协会被进一步探讨。论文的结论是,到18世纪中期,这种服装风格已经成为一种时代错误,不再适合绅士的纪念碑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Development of Roman Military Costume on English Church Monuments
This paper considers the development of the portrayal of Roman military costume on English church monuments of the seventeenth and eighteenth centuries. The uses of such costume were rooted in the wider European Renaissance, the effects of which were felt in England from the early sixteenth century. Later Elizabethan and early Jacobean literature employed a wide variety of classical references, the culmination of which were the masques performed for the Jacobean and Caroline Courts which were the ultimate expression of classical ideas and ideals. The early seventeenth century saw the tentative uses of Roman military costume for commemorative sculpture but it was not until the post Restoration period that such costume became commonplace on the memorials of the social elites. The political significance of this dress is further explored as are the corresponding moral and civic associations. The paper concludes with the idea that by the mid eighteenth century such a costume style had become an anachronism and no longer appropriate for the monuments of the gentry.
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