弗朗茨·卡夫卡不是电影动画

L. Rizzatti, Cida Golin
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引用次数: 0

摘要

本文分析了弗朗茨·卡夫卡的短篇小说《乡村医生》,以及日本艺术家山村幸二将其改编成电影的同名动画。目的是通过视听和文学的对比对话,探讨卡夫卡奇幻小说中的叙事和氛围是如何运用到动画中的。经证实,其主要特点是人物设计中的图形变形、夸张的手势、强调人物的特殊动作、突然的加速以及偏爱冷色调或淡黄色的色彩。令人不安的声音环境,以小提琴、钢琴和日本配音演员的声乐诠释为标志,也被配置为重现卡夫卡式幻想的关键元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Franz Kafka no cinema animado
This article analyzes A country doctor, a short story written by Franz Kafka, and its adaptation to the cinema, the homonymous animation created by the Japanese artist Koji Yamamura. The objective is to investigate how the narrative and the atmosphere in the fantastic of Kafka are applied to the animation through the comparative dialogue between audiovisual and literature. It was verified that the main features used were the graphic deformations in the characters’ design, the exaggeration of gestures, the emphasis on the peculiar motion of figures, the abrupt accelerations and the colorization that privileged cold or yellowish tones. The disturbing sound environment, marked by the violin, the piano and the vocal interpretations of the Japanese voice actors were also configured as crucial elements to re-create the Kafkaesque fantastic.
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