观众

Hana Navrátilová
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引用次数: 37

摘要

对古埃及受众的搜索涉及对文化交流概念的评估,公认的交流实践,对空间的理解和其他因素。许多古代交流行为和表演的痕迹仍然难以捉摸,但有可能识别出专门的交流空间以及涉及古代观众的策略。建筑和文本针对特定的受众,例如在王室纪念话语或私人纪念话语中包括在埃及自传中。古代艺术作品也经常有第二只手或第三只手的痕迹,这些人从事检查、修改、复制和破坏它们,也有参观者的痕迹,例如涂鸦。除了主观众之外,还有非主观众,他们站在埃及文化之外,但却构成了文化记忆链中一个独特的环节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Audiences
A search for audiences in ancient Egypt involves an assessment of the concept of cultural communications, accepted communicative practices, understanding of space, and other elements. Traces of many communicative acts and performances in antiquity will remain elusive, yet it is possible to recognize dedicated communicative spaces as well as strategies that involved ancient audiences. Edifices and texts targeted their specific audiences, for instance in a royal monumental discourse or a private commemorative discourse included within Egyptian autobiographies. Ancient works of art also often bear marks by a second or a third hand that was engaged in inspecting, changing, copying, as well as destroying them, as well as by visitors, exemplified by graffiti. Apart from the emic audiences, there are also etic audiences, standing outside the Egyptian culture, but constituting a distinct link in the chain of cultural memory.
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